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DTSTART;VALUE=DATE:20241127
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UID:58997-1732665600-1733011199@www.theclassicslibrary.com
SUMMARY:Euripides' Orestes\, Keble College\, Oxford
DESCRIPTION:From the folks at OALS…\n\n \n\nDear all\,\n\n \n\nThe Oxford Ancient Languages Society is delighted to invite you to an exceptional opportunity this Michaelmas term: a full production of Euripides’ Orestes. Directed by Nicholas Romanos and Andrew Raynes\, the play will be performed from 27th to 30th of November at the O’Reilly Theatre\, Keble College\, Oxford\, with evening performances and an additional matinée on the 30th.\n\n \n\nIn Argos\, Orestes\, with the help of sister Electra and their friend Pylades\, has committed the worst crime imaginable: he has killed his own mother\, in vengeance for her murder of his father\, and is now tormented by the Furies. But what will happen next? Can Orestes and Electra escape death at the hands of the Argives\, who see them more as criminals than as heroes? And can they rely on the help of their uncle Menelaus\, who has just returned from Troy with his wife\, the much-despised Helen?\n\n \n\nAs the play unfolds\, we are forced ourselves to face some difficult questions: are Orestes and his friends in fact heroes or criminals? How far can the heroic ethic stretch before it becomes little more than self-parody? And above all\, can we even attach a meaning to this vivid high drama?\n\n \n\nThe Orestes is one of the most exciting of Euripides’ plays\, and the most popular in antiquity. It displays the height of his dramatic innovation\, and—rarely for Greek tragedy—while its characters and framework are drawn from traditional mythology\, the plot itself is entirely Euripides’ invention.\n\n \n\nThis production\, a unique collaborative project led by the Oxford Ancient Languages Society\, will stage a complete dramatic recreation of Euripides’ play\, demonstrating the vivid dramatic fruits of meticulous\, interdisciplinary scholarship.\n\n \n\nIt will be performed entirely in the original Ancient Greek (with English surtitles)\, with authentic costumes and masks. Crucially\, it will restore Euripides’ drama to its full musical glory. All the sections of the play that were originally sung have been set to music\, newly composed in the ancient Greek modes\, using all available evidence about Euripidean music\, and incorporating an ancient fragment of music from the play that may be by Euripides’ own hand. The chorus and our talented solo singers will be accompanied on the aulos (ancient double-pipes) by the renowned aulete Callum Armstrong\, resulting in a transformative audience experience\, closer than ever to the Athenian stage.\n\n \n\nSave the date for this extraordinary experience! Tickets will go on sale from 14 October. For any inquiries\, please write us at oxfordancientlanguages@gmail.com. We hope to see you there!\n\n \n\nBest wishes\,\n\n \n\nOALS Committee
URL:https://www.theclassicslibrary.com/event/euripides-orestes-keble-college-oxford/
LOCATION:Keble College\, Parks Road\, Oxford\, OX1 3PG\, United Kingdom
CATEGORIES:events
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UID:59142-1732728600-1732732200@www.theclassicslibrary.com
SUMMARY:Online Lecture by Professor Helen Lovatt on 'Grief and Narrative in Aeneid 2'
DESCRIPTION:Online\nWed 27th November 2024 5:30PM \nBOOK NOW! \nProfessor Helen Lovatt (University of Nottingham) will be presenting part of her current research on The Power of Sadness in Virgil’s Aeneid which draws on trauma and grief studies to explore possible ‘post-traumatic growth’ in the Aeneid and their relationship to power structures. \nIs negative emotion a ‘cost of power’ or a cause of power? How does grief experience and behaviour characterise the Aeneid and what effects do trauma have in the narrative? This talk will explore the nature of grief narratives as potentially therapeutic or retraumatising. How is the narrating context of Aeneid 2 portrayed\, and how does that context shape the emotions expressed and created? How is grief experience portrayed in the narrative and to what extent is emotional experience a catalyst for action? Is the grief narrative of Aeneid 2 gendered and in what ways? How much is trauma a single transformative event\, and how much an ongoing process of insecurity in the Aeneid? \nThe event will be held on Teams.\nPlease note: the link to the event will be shared via email to those registered.
URL:https://www.theclassicslibrary.com/event/online-lecture-by-professor-helen-lovatt-on-grief-and-narrative-in-aeneid-2/
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